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    The Message of the Sphinx
   Also by Robert Bauval
   The Orion Mystery (with Adrian Gilbert)
   Also by Graham Hancock
   Journey Through Pakistan
   Ethiopia: The Challenge of Hunger
   AIDS: The Deadly Epidemic
   Lords of Poverty
   African Ark: Peoples of the Horn
   The Sign and the Seal: A Quest for the Lost Ark of the Covenant
   Fingerprints of the Gods: The Evidence of Earth’s Lost Civilization
   The Message of the Sphinx
   A Quest for the Hidden Legacy of Mankind
   Graham Hancock
   Robert Bauval
   Three Rivers
   Press New York
   Copyright © 1996 by Graham Hancock and Robert Bauval
   All rights reserved. No part of this book may be reproduced
   or transmitted in any form or by any means, electronic or mechanical,
   including photocopying, recording, or by any information storage and
   retrieval system, without permission in writing from the publisher.
   Published by Three Rivers Press, 201 East 50th Street,
   New York, New York 10022. Member of the Crown Publishing Group.
   Originally published in Great Britain by William Heinemann Ltd.,
   and in the United States by Crown Publishers, Inc., in 1996.
   Random House, Inc.
   New York, Toronto, London, Sydney, Auckland
   http://www.randomhouse.com/
   THREE RIVERS PRESS and colophon are
   trademarks of Crown Publishers, Inc.
   Printed in the United States of America
   Diagrams by Robert G. Bauval and R. J. Cook
   Photographs 2, 3, 4, 5, 6, 8, 9, 10, 17, 18, 19, 20, 22,
   24, 25, 26, 27, 28, 30, 31, and 32 by Santha Faiia.
   Photographs 11, 12, 15, and 16 courtesy of Rudolph Gantenbrink.
   Photograph 29 by Robert G. Bauval.
   Photograph 7 courtesy of Venture Inward magazine.
   Photograph 13 Spiegel TV.
   Photograph 14 Antoine Boutros.
   Photograph 1 The Lady Sophia Schilizzi.
   Library of Congress Cataloging-in-Publication
   Data is available upon request.
   ISBN 0-517-88852-1
   10 9 8 7 6 5 4 3 2 1
   First Paperback Edition
   To the memory of my father Gaston Bauval,
   who rests in the land of Egypt.
   Robert G. Bauval
   To my friend, John Anthony West, for his twenty years of courageous work to prove the geological antiquity of the Sphinx, and for the vast implications of the evidence that he has put before the public. ‘The truth is great and mighty,’ as the ancient texts say. ‘It hath never been broken since the time of Osiris.’
   Graham Hancock
   Contents
   Contents. 6
   Line Illustrations. 10
   Acknowledgements. 12
   Part I 14
   Chapter 1. 15
   Enduring memories. 16
   Stillness and silence. 17
   Chapter 2. 19
   Undatable, anonymous. 22
   One syllable. 23
   Context 25
   Water erosion. 26
   Not floodwaters. 27
   Rainfall 28
   A rude interruption. 29
   When did it rain? 30
   Jury still out 32
   Chapter 3. 34
   Impossible engineering. 36
   How, why, when? 39
   Memorials mighty. 42
   Not purely symbolic boats. 45
   The Pyramids. 46
   High precision. 48
   Chambers and passageways. 52
   Inner space. 55
   The stones of darkness and the shadow of death. 56
   Very interesting developments. 58
   Labyrinth. 60
   The mystery of the shafts. 61
   Chapter 4. 66
   Observatory. 67
   Targeting Stars. 69
   The Companions of Osiris. 73
   A perfect match. 74
   Rising stars. 77
   Lion on the ground, lion in the sky. 78
   Motive in the texts. 85
   Fundamental questions. 88
   Part II 90
   Chapter 5. 91
   Trancing the Hall of Records. 93
   The Scholar 95
   Proof under the paws. 96
   Anomalies. 97
   A falling out 98
   Granite structures. 99
   The mapping surveys. 100
   Pulling away. 101
   Lunch with Mr. Cayce. 104
   Correspondence. 106
   Chapter 6. 107
   Double standard. 108
   The iron plate affair 111
   Scientific analysis. 112
   The British Museum’s view.. 114
   Stargate. 115
   Unknown dark distance. 117
   Links. 119
   The British Museum and the missing cigar box. 121
   Chapter 7. 124
   Planning an adventure. 125
   Diversion and delay. 126
   Upuant II 128
   Problems with permits. 128
   Discovery. 129
   Much ado, then nothing. 131
   Political games. 132
   Breakfast with Gantenbrink. 133
   Select groups. 133
   Burial 134
   Part III 136
   Chapter 8. 137
   Cosmic environment 138
   Astronomical essence. 139
   Otherworld. 140
   Stars rising with the sun. 141
   Cosmic river 143
   Kingdom of Osiris in the sky. 144
   ‘First Time’ 145
   Golden Age and the entry of evil 147
   Shabaka texts. 149
   Treasure trail 150
   Sphinx god. 151
   Roads of Rostau. 155
   Chapter 9. 158
   Celestial reflections. 158
   Astronomer-priests. 159
   Living image of Atum.. 161
   Atum, Re and Horakhti 162
   Horus, Dweller-in-the-Horizon. 165
   The ‘Two Horizons’ of Heliopolis. 166
   Strange silence. 168
   Searching for Horakhti 169
   Geographical and cosmological context 170
   Chapter 10. 173
   Child of the Sun, son of Osiris. 174
   Seventy days from Horakhti 176
   The High Road and the Low Road. 181
   Subterranean world. 184
   Tunnel 186
   Stargate. 187
   The Splendid Place of the ‘First Time’ 188
   Part IV. 194
   Chapter 11. 195
   Three eras. 197
   High initiates. 198
   Following the Way of Horus. 199
   Chapter 12. 202
   Guardians of records. 203
   Memories of the dawn. 204
   Wisdom and knowledge. 206
   Heliopolitan origins. 207
   Cycle of the phoenix. 209
   Ancestor gods. 210
   Chapter 13. 213
   Shining ones. 213
   Legacy. 215
   Gods and heroes. 216
   Time bridge. 217
   Following the vernal point 218
   Chapter 14. 220
   Journey in time. 221
   Becoming equipped. 223
   Unification. 225
   High and far-off times. 227
   Chapter 15. 230
   Separation. 230
   Doubles. 231
   Link-up. 232
 &nbs
p; Riding the vernal point 234
   Secret spell 235
   Special numbers. 237
   Seekers after truth. 241
   Chapter 16. 242
   Anti-cipher 242
   Durable vehicles. 244
   Hints and memories. 245
   The language of the stars. 247
   Thought-tools. 248
   Chapter 17. 251
   Fine-tuning Leo. 252
   Setting stars. 253
   Sirius. 255
   Cross-quarter causeways. 258
   Treasure map. 266
   Conclusion. 271
   Osiris breathes. 273
   Appendix 1. 276
   A state of perfect order 279
   Maat 281
   Juggling for balance. 283
   Three Wise Men. 285
   Appendix 2. 288
   Appendix 3. 294
   Appendix 4. 300
   Appendix 5. 304
   Further developments. 304
   The Great Pyramid. 304
   The Great Sphinx. 305
   The Edgar Cayce legacy. 308
   Mars and Giza: 311
   Selected Bibliography. 314
   Line Illustrations
   1. Profile of the Great Sphinx from the south.
   2. Overhead view of the principal monuments of the Giza necropolis.
   3. The Great Sphinx and the architectural complex that surrounds it.
   4. The artificial ‘Horizon of Giza’.
   5. Geodetic location of the Great Pyramid of Giza.
   6. Cross-section of the Great Pyramid of Egypt.
   7. Internal corridors and passageways of the three Pyramids of Giza.
   8. Principal internal features of the Great Pyramid.
   9. Detail of the corridors, chambers and shafts of the Great Pyramid
   10. The complex internal design of the Great Pyramid.
   11. The King’s and Queen’s Chambers and their four shafts.
   12. Details of the Queen’s Chamber and its shafts.
   13. Queen’s Chamber wall and shaft mouth.
   14. Construction details of the Great Pyramid shafts.
   15. The summer solstice as seen from Giza.
   16. The trajectory of the sun on the summer solstice.
   17. The trajectory of the sun on the equinox.
   18. The trajectory of the sun on the winter solstice.
   19. The horizon of Giza and the meridian of the Great Pyramid.
   20. Culmination (meridian-transit) of Orion’s belt circa 2500 bc.
   21. Orion and Osiris.
   22. The stellar alignments of the Great Pyramid’s four shafts.
   23. Orion’s belt crossing the meridian of the Great Pyramid in 2500 bc.
   24. The sky-ground image of Giza-Orion’s belt in 10,500 bc.
   25. The 10,500 bc ‘lock’ with Giza.
   26. Artist’s impression of Orion’s precessional cycle at meridian.
   27. The trajectory of Orion’s belt throughout the ages.
   28. Pre-dawn at the spring (vernal) equinox in 10,500 bc.
   29. Superimposed images of the rising of Leo in 2500 bc and 10,500 bc.
   30. Sunrise at the spring (vernal) equinox in 10,500 bc.
   31. Artist’s impression of the ‘First Time’ of Osiris-Orion.
   32. ‘Sah’ (Osiris-Orion), the ‘Far Strider’.
   33. Detail of Queen’s Chamber shaft.
   34. The Memphite necropolis.
   35. Sunrise at solstices and equinoxes as seen from Giza.
   36. The sky region of the Duat.
   37. Map of the apex region of the Nile Delta.
   38. The ‘Land of Sokar’ in the Fifth Division of the Duat.
   39. The Fifth Division of the Duat.
   40. The summer solstice as seen from Giza circa 2500 bc.
   41. The Denderah Zodiac.
   42. Horakhti, ‘Horus-of-the-Horizon’.
   43. Artist’s impression of ‘reconstructed’ Sphinx.
   44. The Duat sky-region at dawn throughout the year, circa 2500 bc.
   45. The ‘solar’ Horus crossing the Milky Way.
   46. The ‘solar’ Horus in the paws of Leo.
   47. The ‘astral’ Kingdom of Osiris in Rostau.
   48. The Horus-King being led into the Great Pyramid.
   49. The ‘astral’ Great Pyramid and its stargates.
   50. The rising of Leo at the summer solstice circa 2500 bc.
   51. The summer solstice circa 2500 bc.
   52. The Horus-King statue between the paws of the Sphinx.
   53. Osiris-Orion showing the way to his ‘Followers’, the Horus-Kings.
   54. Artist’s impression of the ‘Mansion of the Phoenix’.
   55. Osiris-Orion, Isis-Sirius and the Horus-Kings.
   56. Great conjunction of the ancient skies at the spring (vernal) equinox circa 10,500 bc
   57. The sky-Duat and the ground-Duat of Osiris.
   58. The ‘drift’ of Orion from 10,500 bc to 2500 bc.
   59. The setting of Orion’s belt and the ‘satellite’ pyramids of the ‘horizon’ of Giza in 10,500 bc.
   60. Artist’s impression of the ‘First Time’ of Sirius, in the epoch of 10,500 bc.
   61. The course of the sun throughout the year as viewed from the latitude of Giza.
   62. The 14 degree north of east alignment of the Khufu causeway at the north cross-quarter sunrise.
   63. The due east (equinox) alignment of the Menkaure causeway.
   64. The 14 degree south of east alignment of the Khafre causeway at the ‘south’ cross-quarter sunrise.
   65. The rising of Leo and the ‘south’ cross-quarter sunrise in 10,500 bc.
   66. Hor-em-akhet (Sphinx) gazing at Horakhti (Leo) at the ‘south’ cross-quarter sunrise in 10,500 bc.
   67. Profile of the Great Sphinx in the ‘ground-horizon’ of Giza.
   68. The place-time datum of 10,500 bc under ‘Leo’.
   69. Possible locations of an underground system of passageways and chambers beneath the Great Sphinx.
   70. The Djed pillar of Osiris, flanked by Isis and Nepthys.
   71. Sun-boat on the back of the double-lion hieroglyph for Aker; Great Pyramid looking west; Osirian Djed pillar looking west.
   72. The Scales of Maat.
   73. Cross-sections of the Great Pyramid showing the ‘balancing’ of the monument with the star-shafts.
   74. The ‘scales’ of Orion at the ‘nadir’ and ‘apex’ of the current Precessional Cycle and the ages of Leo (10,500 bc) and Aquarius (2450 ad).
   Acknowledgements
   Robert G. Bauval:
   Foremost, a special thanks to the readers. In the last two years I have received hundreds of letters of encouragement and good-will and it’s sure nice to know you’re all out there sharing in this common quest for truth.
   I am immensely grateful for the patience and understanding of my wife Michele, and my two children, Candice and Jonathan.
   Particular gratitude goes to the following relatives, friends and colleagues for their support: John Anthony West, Chris Dunn, Bill Cote, Roel Oostra, Joseph and Sherry Jahoda, Joseph and Laura Schor, Niven Sinclair, Marion Krause-Jach, Princess Madeleine of Bentheim, James Macaulay, Robert Makenty, Linda and Max Bauval, Jean Paul and Pauline Bauval, my mother Yvonne Bauval, Geoffrey and Thérèse Gauci, Patrick and Judy Gauci, Denis and Verena Seisun, Colin Wilson, Mohamed and Amin El Walili, Julia Simpson, Sahar Talaat, Professor Karl-Klaus Dittel and his wife Renate, Hani Monsef, Mark Ford, Peter Zuuring, Richard Thompson, Adrian Ashford, Dave Goode, Okasha El Daly, Mohamad Razek, Heike Nahsen, Ilga Korte, Gundula Schulz El Dowy, Antoine Boutros, Professor Jean Kerisel, Roy Baker, Murry Hope, William Horsman and Charlotte Ames.
   I would like to convey my warm thanks to Bill Hamilton and Sara Fisher of A.M. Heath & Co., Ltd., for putting up with my pleonastic ways, Tom Weldon and all the staff at William Heinemann Ltd., Peter St. Ginna and Brian Belfiglio at Crown Publishing Inc., Melanie Walz and Doris Janhsen at Paul List Verlag, Udo Rennert of Wiesbaden, and Mohe
b Goneid and all the staff at the Movenpick-Jolie Ville at Giza.
   Finally, I want to pay tribute to the engineer and my friend Rudolf Gantenbrink for opening the way for all of us with his bold and daring exploration in the Great Pyramid.
   Robert G. Bauval,
   Buckinghamshire, February 1996
   Graham Hancock:
   Special thanks and love to Santha, my wife and partner, my best and dearest friend. Love and appreciation to our children: Gabrielle, Leila, Luke, Ravi, Sean and Shanti. Special thanks also to my parents, Donald and Muriel Hancock, who have given me so much, and for the help, advice and adventurous spirit of my uncle, James Macaulay. Many of the individuals named in Robert’s acknowledgements likewise deserve my thanks: they know who they are. In addition I take this opportunity to send my personal good wishes to Richard Hoagland, Lew Jenkins, Peter Marshall, and Ed Ponist.
   Graham Hancock,
   Devon, February 1996
   Part I
   Enigmas
   Chapter 1
   Horizon Dweller
   ‘There is scarcely a person in the civilized world who is unfamiliar with the form and features of the great man-headed lion that guards the eastern approach to the Giza pyramids.’
   Ahmed Fakhry, The Pyramids, 1961
   A gigantic statue, with lion body and the head of a man, gazes east from Egypt along the thirtieth parallel. It is a monolith, carved out of the limestone bedrock of the Giza plateau, two hundred and forty feet long, thirty-eight feet wide across the shoulders, and sixty-six feet high. It is worn down and eroded, battered, fissured and collapsing. Yet nothing else that has reached us from antiquity even remotely matches its power and grandeur, its majesty and its mystery, or its sombre and hypnotic watchfulness.
   It is the Great Sphinx.
   Once it was believed to be an eternal God.
   Then amnesia ensnared it and it fell into an enchanted sleep.
   Ages passed: thousands of years. Climates changed. Cultures changed. Religions changed. Languages changed. Even the positions of the stars in the skies changed. But still the statue endured, brooding and numinous, wrapped in silence.
   

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